That's great news! It still is not an offline process - still need to play through the entire piece - but it is a step in the right direction. **Update: Several astute viewers have pointed out that you can set the loudness target (LUFS) in the settings. We aren’t going to dig into all the details, but try to answer the question about whether one can now switch to DaVinci Resolve for audio mixing? The answer is different for everyone, but I hope you find this helpful in making the decision for yourself. This is a full-fledged digital audio workstation (DAW) within a comprehensive video editing, compositing, grading, and finishing application. In this week’s Sound for Video Session, we take a first look at DaVinci Resolve 15 Beta’s Fairlight audio panel.

Tagged: Sound for Video Session, Boom Pole, DaVinci Resolve Sound Devices 888 Audio Recorder/Mixer - B&H

Olympus 45mm f/1.8 lens used on the GH5 for this session - B&H Panasonic GH5 used as the B-cam for this session - B&H Canon 24-105 f/4 IS II L lens used on the Canon C200 for this session - B&H Canon C200 camera used as the A-cam for this session - B&H Sound Devices MixPre II series recorder used as the preamp for this session - B&H Shure SM-7B Microphone used to record this session - B&H As an affiliate, I earn from qualifying purchases: Most of the links below are affiliate links.

Please consider taking my courses on audio production and post production including in-depth options for the Sound Devices MixPre and Zoom F series recorders. DaVinci Resolve 16.2 Fairlight can now handle 32-float audio! Timecode battery for Sound Devices 888? How do I compare the noise performance of various USB Audio interfaces? What boom operating tools do you recommend to help with booming since I'm not super strong? How do you store, clean, and maintain your microphones? In this Sound for Video Session, we covered your questions about production and post production sound for film and video:

Editing in davinci resolve 15 with alex